Tennessee WordSmith
The Blog of Author and Historian Troy D. Smith
Saturday, November 11, 2017
RACE, CLASS, REGION AND CULTURE IN AMERICAN POPULAR MUSIC. Introduction
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This started out as an outline for videos to use in a 7-hour class/workshop on this topic I am co-teaching with Andrew Smith; it has turned...
RACE, CLASS, REGION AND CULTURE IN AMERICAN POPULAR MUSIC. Part 1: Genesis
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PART ONE: GENESIS [The birth of American music: a confluence of African and European elements .] The first Southern music: ...
RACE, CLASS, REGION AND CULTURE IN AMERICAN POPULAR MUSIC. Part 2: The Blues and All That Jazz
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Precursors: New Orleans, and the Whorehouse Professors of Storyville o Civil War brass bands § “When the Saints Go Marching In”...
RACE, CLASS, REGION AND CULTURE IN AMERICAN POPULAR MUSIC. Part 3: I Heard It on the Radio
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Between the World Wars, radio took over pop culture. Radio stations, and record producers, segregated music and musicians. It Don’t Mea...
RACE, CLASS, REGION AND CULTURE IN AMERICAN POPULAR MUSIC. Part 4: Brave New World: Post-WWII and the 1950s
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Doo-Wop Slow vocal jazz identifiable by complex harmonies o E...
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