Friday, April 27, 2012
A Writer's Life
Today I was interviewed at A Writer's Life, blog of the ever gracious writer Caroline Clemmons: Read it HERE
Troy D. Smith was born in the Upper Cumberland region of Tennessee in 1968. He writes in a variety of genres, achieving his earliest successes with westerns -his first published short story appeared in 1995 in Louis L'Amour Western Magazine, and he won the Spur Award in 2001 for the novel Bound for the Promise-Land and in 2017 for the short story "Odell's Bones" (being a finalist on two other occasions.) He received his PhD in history from the University of Illinois, and is currently a history professor at Tennessee Tech.
Monday, April 23, 2012
Buddies in the Saddle: Interview and Review
Ron Scheer's excellent blogsite Buddies in the Saddle has posted a review of Cherokee Winter, and a lengthy interview with me. Ron asked some very complex questions, and made me think quite a bit about my work and the western genre. Read it HERE
Troy D. Smith was born in the Upper Cumberland region of Tennessee in 1968. He writes in a variety of genres, achieving his earliest successes with westerns -his first published short story appeared in 1995 in Louis L'Amour Western Magazine, and he won the Spur Award in 2001 for the novel Bound for the Promise-Land and in 2017 for the short story "Odell's Bones" (being a finalist on two other occasions.) He received his PhD in history from the University of Illinois, and is currently a history professor at Tennessee Tech.
Thursday, April 19, 2012
Celebrate National Poetry Month with 30 Days of the 5-2: Crime Poetry

Gerald So has an excellent weekly crime poetry blog called The 5-2: Crime Poetry Weekly -and this April, to help celebrate National Poetry Month, he's coordinating a blog tour and has invited me to participate. Basically, each day of the month a different blogger will write about his/her favorite poem that has appeared at the 5-2. The complete list of participants can be found here -it gives fans of noir, whether prose or poetry, a great chance to encounter not only some new poetry but some new blogsites to follow. Several of these folks are friends of mine, and are darn good mystery writers and/or poets.
The piece I have chosen is by Pushcart Prize-winning poet Paul Hostovsky -check out his website here. The poem is called "My Visit to the Gardner Museum"; before I wax on about why I like it so much, I will let you read it...
MY VISIT TO THE GARDNER MUSEUM
by Paul Hostovsky
Isabella Stewart Gardner had a lot of shit,
a lot of very old and beautiful shit
from all over the world, going all the way back to
the Egyptian sarcophagi, which look a lot like bathtubs
though really they’re coffins. A whole lot of dead
shit in this museum, is what I’m thinking
to myself, not sharing that thought with the lovely
young woman who brought me here on our second date.
To share the world with the world, Isabella Gardner
built her eponymous museum in the Boston Fenway
in 1898. Now, a hundred and ten years later,
me and Celia are walking through its galleries, not touching
because it’s only our second date. And I think it’s obscene
the way she accumulated all this shit and shipped it
back to Boston. And I think it’s exactly what’s wrong
with America, the way we keep appropriating
shit that doesn’t belong to us, buying it up and
calling it ours. But I don’t tell Celia that because I want
to hold her hand now, which is presently pointing up
at an enormous gilt frame with no painting in it,
her sweet inquiring voice asking the well-ironed
museum guard standing next to it at attention: What
is this? And he tells us this is the Rembrandt
that was stolen a few years back, along with the Vermeers
and other masterpieces cut right out
of their frames, the way poachers cut the valuable
part of the animal right out of the animal,
leaving the bloody carcass behind for the world
to stare at aghast and brokenhearted. And I think
this is by far the most interesting thing in the museum,
though I don’t tell Celia that, her hand in mine now
as we listen together to the museum guard’s harrowing tale
of the enemies of art breaking into Isabella’s
rooms, and ripping the Dutch masters right out. Like a
rape, she gasps, squeezing my hand tighter. That’s when I
reach for her other hand, which she gives to me now,
so now we’re standing face to face, just inches
away from each other’s flesh-colored
flesh, which is making the museum guard very
uncomfortable. And he looks away. And I steal a kiss
from Celia. And then I cop a feel of Rubens.
Now that's good stuff. On one level it is about crime in the classic sense, the sense we would expect -art thieves having stolen paintings from a museum. But on a deeper level it's about a whole different kind of stealing, a kind most of us never think about -cultural appropriation (although as an American Indian Studies scholar I think about it quite a bit.) That is, the nasty habit we as Americans have of just taking stuff that doesn't belong to us and not giving it back, literally and figuratively, because we consider ourselves the guardians and arbiters of "civilization." It is an expression of privilege that most Americans, Europeans, Aussies, Canadians, et al take for granted- the "white man's burden," as Kipling put it. Cultural noblesse oblige. The narrator and his girlfriend have "flesh-colored flesh," and we as readers understand that flesh-colored means white. Yet when they are confronted with evidence of more mundane thieves stealing canvas from a frame they are aghast, comparing it with poaching and even rape... Celia seems ignorant, if her boyfriend is not, of the irony. The thieves had stolen from thieves.
All of which is very fascinating, as Celia's boyfriend muses to himself. But in the final two lines we are taken to an even deeper, more primordial level. He steals a kiss, a sensual touch, from both the woman and the artwork -or was he conflating the two, touching something more Rubenesque than a canvas, and was there really any difference? Regardless, he can not -or chooses not to -resist engaging in the primal urge to take, if even for a moment... poaching, stealing, taking physical and sensory pleasure, the most basic of drives. He is the thief incarnate, and his theft is both powerful and disturbing in how timelessly natural it is -leaving the authoritarian figure, the guard, so uncomfortable he must look away.
As must we. But the thief is there.
Like I said, powerful stuff.
I plan to be a regular visitor at the the ol' 5-2, and I recommend you do as well. For my part, I am sometimes a crime writer and sometimes a poet, but I have never before considered combining the two -I'll be thinking about it now. In the meanwhile, you can check out my poetry and crime fiction if you are so inclined:
Cross Road Blues
Idylls in Darkness
Troy D. Smith was born in the Upper Cumberland region of Tennessee in 1968. He writes in a variety of genres, achieving his earliest successes with westerns -his first published short story appeared in 1995 in Louis L'Amour Western Magazine, and he won the Spur Award in 2001 for the novel Bound for the Promise-Land and in 2017 for the short story "Odell's Bones" (being a finalist on two other occasions.) He received his PhD in history from the University of Illinois, and is currently a history professor at Tennessee Tech.
Monday, April 9, 2012
Cherokee Winter: New interview up
My short story collection Cherokee Winter is now available at AMAZON and SMASHWORDS. It is the first of a two-part collection, really -the second, Red Trail, will be available soon as well. All of these previously published stories deal with the West, the frontier, or in some cases the Civil War.
Jacquie Rogers has put up an interview with me and an excerpt from the first story in the collection, "The Stealing Moon," at her excellent blogsite Romancing the West... take a look!
Jacquie Rogers has put up an interview with me and an excerpt from the first story in the collection, "The Stealing Moon," at her excellent blogsite Romancing the West... take a look!
Troy D. Smith was born in the Upper Cumberland region of Tennessee in 1968. He writes in a variety of genres, achieving his earliest successes with westerns -his first published short story appeared in 1995 in Louis L'Amour Western Magazine, and he won the Spur Award in 2001 for the novel Bound for the Promise-Land and in 2017 for the short story "Odell's Bones" (being a finalist on two other occasions.) He received his PhD in history from the University of Illinois, and is currently a history professor at Tennessee Tech.
Wednesday, April 4, 2012
Park Overall for Tennessee!
Most of you know my friend Park Overall for her many TV roles, most memorably as Laverne on Empty Nest from 1988-1995.

For the last couple of years, I've known her in a different context: as a fiery advocate for progressive causes, from health care to women's rights. She is witty, wise, and never afraid to speak her mind or show her passion for justice. She is a person of great integrity and I have an enormous amount of respect for her (plus she's a fellow Tennessean!)
And today (April 4) she made a very important announcement:
" I went to Nashville, I spoke, I met, I saw. Today, I announce here, first to the The Tennessean, 2nd to the Greeneville Sun, and now to you, my most fun people: I am filed to run against Bob Corker for the US Senate. The Blunt amendment put me over the top. I am sick of rhetoric, and as all of you who know me, know, I have an East TN fire in the belly. I am tired of liars, cons and theives, a filthy environment and the subjugation of the poor, let alone the middle class. I am not buyable, and I don't have 7.5 million for my campaign. But I have you, or some of you, and I believe, I believe, I believe! Hang on, 'it's gonna be a bumpy ride.' weeeeeeeeeee!"
I aim to blog, speak, knock on doors...whatever it takes. Because Park Overall is the kind of person Tennessee needs -the kind of person we deserve -representing us in Washington. As a historian I have been concerned for some time now that certain political elements are trying (successfully) to steer us back into the Gilded Age -a time of social darwinism, when the working man and woman had almost no rights (nor the working child, for that matter, and there were a lot of them!) Our country's only hope is if history continues to rhyme, and this type of social engineering energizes new voices on the left who are unafraid to speak up and help stir a new Progressive Age. My friend Park is stepping up to take that challenge. If you live in Tennessee, or know folks who do, help me spread the word.
Park Overall for U.S. Senate. Park Overall for Tennessee.
For the last couple of years, I've known her in a different context: as a fiery advocate for progressive causes, from health care to women's rights. She is witty, wise, and never afraid to speak her mind or show her passion for justice. She is a person of great integrity and I have an enormous amount of respect for her (plus she's a fellow Tennessean!)
And today (April 4) she made a very important announcement:
" I went to Nashville, I spoke, I met, I saw. Today, I announce here, first to the The Tennessean, 2nd to the Greeneville Sun, and now to you, my most fun people: I am filed to run against Bob Corker for the US Senate. The Blunt amendment put me over the top. I am sick of rhetoric, and as all of you who know me, know, I have an East TN fire in the belly. I am tired of liars, cons and theives, a filthy environment and the subjugation of the poor, let alone the middle class. I am not buyable, and I don't have 7.5 million for my campaign. But I have you, or some of you, and I believe, I believe, I believe! Hang on, 'it's gonna be a bumpy ride.' weeeeeeeeeee!"
I aim to blog, speak, knock on doors...whatever it takes. Because Park Overall is the kind of person Tennessee needs -the kind of person we deserve -representing us in Washington. As a historian I have been concerned for some time now that certain political elements are trying (successfully) to steer us back into the Gilded Age -a time of social darwinism, when the working man and woman had almost no rights (nor the working child, for that matter, and there were a lot of them!) Our country's only hope is if history continues to rhyme, and this type of social engineering energizes new voices on the left who are unafraid to speak up and help stir a new Progressive Age. My friend Park is stepping up to take that challenge. If you live in Tennessee, or know folks who do, help me spread the word.
Park Overall for U.S. Senate. Park Overall for Tennessee.
Troy D. Smith was born in the Upper Cumberland region of Tennessee in 1968. He writes in a variety of genres, achieving his earliest successes with westerns -his first published short story appeared in 1995 in Louis L'Amour Western Magazine, and he won the Spur Award in 2001 for the novel Bound for the Promise-Land and in 2017 for the short story "Odell's Bones" (being a finalist on two other occasions.) He received his PhD in history from the University of Illinois, and is currently a history professor at Tennessee Tech.
Monday, April 2, 2012
Nominated for a best short story Peacemaker award- twice! What an honor.
The nominees have been announced for the annual Peacemaker Awards for Western fiction. I am deeply honored that two of my tales have been nominated for best short story: "Blackwell's Run", published by Western Trail Blazer as an ebook short -part of the Blackwell series- and "The Sin of Eli," published in the Western Fictioneers anthology THE TRADITIONAL WEST.
Winners will be announced June 1.
I am in some excellent company, too! Here is the full list of nominees:
Winners will be announced June 1.
I am in some excellent company, too! Here is the full list of nominees:
Best Western Short Story:
***There were two ties in this category, which is why there are seven nominees instead of the required five.
“Planting Season” by Johnny D Boggs (Cactus Country Anthology, Volume I – High Hill Press)
“The Way of the West” by Larry J. Martin (The Traditional West anthology, WF)
“Blackwell’s Run” (Western Trail Blazer) by Troy D. Smith
“The Sin of Eli” by Troy D. Smith (The Traditional West anthology, WF)
“Panhandle Freight” by LJ Washburn (The Traditional West anthology, WF)
“The Death of Delgado” by Rod Miller (The Traditional West anthology, WF)
“Stay of Execution” by Lucia St. Clair Robson (Cactus Country Anthology, Volume I – High Hill Press)
Best Western Novel:
The Sonora Noose by Jackson Lowry (Berkley)
Redemption, Kansas by James Reasoner (Berkley)
Blood Trails by Lyle Brandt (Berkley)
The Assassination of Governor Boggs by Rod Miller (Bonneville Books)
Between Hell and Texas by Dusty Richards (Kensington Pinnacle imprint)
Best Western First Novel:
Unbridled by Tammy Hinton (Roots and Branches Publishing)
The Black Hills by Rod Thompson (Berkley)
Dismal River by Wayne Dundee (Oak Tree Press)
Bullets And Bad Bad Men by B.A. Kelly (Oak Tree Press)
The Guerrilla Man by Steven Clark (Solstice Publishing)
Troy D. Smith was born in the Upper Cumberland region of Tennessee in 1968. He writes in a variety of genres, achieving his earliest successes with westerns -his first published short story appeared in 1995 in Louis L'Amour Western Magazine, and he won the Spur Award in 2001 for the novel Bound for the Promise-Land and in 2017 for the short story "Odell's Bones" (being a finalist on two other occasions.) He received his PhD in history from the University of Illinois, and is currently a history professor at Tennessee Tech.
Thursday, March 29, 2012
Some thoughts about Trayvon, Zimmerman, and Race in Our America
Everyone in America knows by now about the situation in Florida, and the shooting of Trayvon Martin. I've been having a running conversation about it on my Facebook page, and I am disheartened by how many people are focusing on the defense of Zimmerman and the culpability of Trayvon, and decrying the fact that, according to them, some people are trying to make this about race when it is not. Quite a few other friends have called for restraint on the part of those of us who are incensed by the circumstances surrounding this innocent young man's death- they're not defending Zimmerman, but the system, or at the very least calling for reason and rationality before jumping to conclusions about racism. I know they mean well- many of the folks I refer to are my best friends, and people I respect deeply.
I am willing to admit that those friends make some good points, and that many- including myself -have rushed to judgment (although many others have rushed to judgment in the other extreme.) I have another observation to make, and I hope it won't be misinterpreted -and that you read on to the end to see what my interpretation is. My initial Facebook post has gotten a lot of comments- a large number of people have expressed support for my viewpoint by "liking" and/or commenting, often sharing my outrage, and a significant number -about one-third of those commenting -have taken me to task for jumping the gun, not waiting for the facts, etc. Those who agreed with me represent a pretty good cross-section of my friends, so far as race, gender, and even political beliefs go. So far, everyone who disagreed has been a white male. Now don't get excited- I'm not saying that the people who disagreed with me are racists, or even denying that they raise good points... nor am I ascribing a particular political point of view to them, as some of those folks generally tend to be liberal. I am only observing that everyone so far who has approached this discussion with "reason" before "outrage" has been a white male (and there have been plenty of white males on the other side of the argument, as well, myself obviously included.) My interpretation of this is that often, we who are on the dominant end of the social spectrum and are accustomed to being so -white males -don't understand the outrage, sometimes "unreasonable" outrage, of those who are not, based on their lived experience. We don't live that experience, and it takes serious work for us to get a glimmer of it. If we did, we would KNOW why "we feel such a strong need to assume, squeeze, and shape interpretations." I want to once more emphasize and re-iterate that I'm not accusing any of those commenters (my friends) of being racists; I am making an observation about how we white guys (again, myself included) have our OWN opinions shaped by white privilege, often without realizing it. It is a lot easier to be the calm, rational one about something like this when we're not the ones affected by it every day, our whole lives.
It is a sad fact that walking down the street being black in this country automatically makes you suspicious... just like driving a car while you're black makes you much more likely to be pulled over even if you've broken no traffic laws. So far as I'm concerned the main thing that everyone debating Zimmerman's relative guilt or innocence is missing is this one basic fact- Zimmerman called the cops and then followed this kid through the rainy night because the kid was clearly "up to no good" and probably on drugs... based on nothing more than the fact he was walking down the street being black. That could have been any black family's kid. And THAT fact makes it all very much about race, because it clearly demonstrates, as if we needed it demonstrated any more, that racism is alive and well in America... and that's why people of color, and allies concerned with social justice, are up in arms, why they/we are so angry that their/our reaction is more impassioned than reasoned... and it is only amplified by the fact that there are so many people who just don't get it, just don't realize why it's such a big deal, just don't realize why we don't just get over it, just don't get what this whole situation symbolizes or why. And that means they're not seeing the problem, and in fact are blaming those who DO see it for all the fuss. Race has not gone away, will not go away, EVER, until the people who benefit from being on the top of the racialized social hierarchy around which this country was built acknowledge it and repudiate it, instead of ignoring, minimizing, or denying it. Lots of white people DO try to do this, although as humans none of us can do it perfectly, but we who work at it prove that it can be done... if we stop being defensive, look at ourselves and our culture honestly, and swear that it does not have to be so. Not swear that it is NOT, or never was, or used to be, or that the only problem is all those touchy people who just won't get over it. Acknowledge that this is how our culture IS, but that it doesn't HAVE to be; listen to the voices of the oppressed instead of blaming them for being too noisy about it, and instead of hearing our own denials and justifications.
And that begins with education. My biggest goal in life is to do all I can to help people understand where the social construct we call race came from, how it works, and how we got to be where we are. I don't just teach history, I preach history, and this is the gospel I am trying to spread. A lot of my fiction revolves around this, and I've written several essays on the subject (not to mention a dissertation.) You'll have to wait for the book where the dissertation is concerned, but the essays can be found in the previous posts of this blogsite, or HERE:
It doesn't matter how many black men get elected President: there will continue to be friction, misunderstandings, frustration, anger, and turmoil until we who are at the top of the racial hierarchy face up to the truths of how it has worked to our benefit, stop denying it, stop being defensive about it... admit it, and reject it. Racism, overt or subconscious, is just like any other addiction... we can't break it until we admit it is there. Even in ourselves.
Especially in ourselves.
Troy D. Smith was born in the Upper Cumberland region of Tennessee in 1968. He writes in a variety of genres, achieving his earliest successes with westerns -his first published short story appeared in 1995 in Louis L'Amour Western Magazine, and he won the Spur Award in 2001 for the novel Bound for the Promise-Land and in 2017 for the short story "Odell's Bones" (being a finalist on two other occasions.) He received his PhD in history from the University of Illinois, and is currently a history professor at Tennessee Tech.
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